{"id":287,"date":"2024-10-23T09:33:50","date_gmt":"2024-10-23T06:33:50","guid":{"rendered":"https:\/\/b-critic.ro\/efectedescena\/?p=287"},"modified":"2024-10-23T09:42:22","modified_gmt":"2024-10-23T06:42:22","slug":"antologia-disparitiei-spectacol-de-la-teatrul-national-vasile-alecsandri","status":"publish","type":"post","link":"https:\/\/b-critic.ro\/efectedescena\/10\/antologia-disparitiei-spectacol-de-la-teatrul-national-vasile-alecsandri\/","title":{"rendered":"Antologia dispari\u021biei &#8211; spectacol de la Teatrul Na\u021bional \u201eVasile Alecsandri\u201d"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull has-aspect-ratio wp-duotone-unset-1\" style=\"margin-top:0;padding-top:5vw;padding-right:5vw;padding-bottom:5vw;padding-left:5vw;min-height:100vh;aspect-ratio:auto;min-height:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-30 has-background-dim has-background-gradient\" style=\"background:linear-gradient(180deg,rgba(153,153,153,0) 0%,rgb(3,3,15) 100%)\"><\/span><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?resize=1920%2C1080&#038;ssl=1\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" data-object-fit=\"cover\" srcset=\"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?resize=1536%2C864&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flex wp-container-core-group-is-layout-e4aad5c3 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group wp-container-content-9cfa9a5a is-layout-flow wp-container-core-group-is-layout-d6743c7d wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-left has-accent-2-color has-text-color\" style=\"font-size:clamp(72.821px, 4.551rem + ((1vw - 3.2px) * 9.289), 162px);font-style:normal;font-weight:700;letter-spacing:-4px;line-height:1;text-transform:none\">Anto-<br>logia<\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color\" style=\"font-size:clamp(72.821px, 4.551rem + ((1vw - 3.2px) * 9.289), 162px);font-style:normal;font-weight:700;letter-spacing:-4px;line-height:1;text-transform:none\">dispari\u021biei<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group wp-container-content-5b91cf2b is-vertical is-nowrap is-layout-flex wp-container-core-group-is-layout-82cc2081 wp-block-group-is-layout-flex\">\n<p class=\"has-base-color has-accent-background-color has-text-color has-background has-link-color wp-elements-8758590a6e6394b252418e0d51b0c05a\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.313), 17px);font-style:normal;font-weight:500;letter-spacing:0px;line-height:1.4;text-decoration:none;text-transform:none\"><strong>INTERVIURI CU<\/strong><br>Ionu\u021b Cornil\u0103, Pu\u0219a Darie, <br>M\u0103lina Laz\u0103r<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.625), 20px);font-style:normal;font-weight:700;letter-spacing:0px;text-decoration:none;text-transform:none\"><a class=\"wp-block-button__link has-white-color has-black-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/youtu.be\/7jfmnLZUWi0\" style=\"border-radius:0px;border-top-style:none;border-top-width:0px;border-right-style:none;border-right-width:0px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:24px;padding-right:36px;padding-bottom:24px;padding-left:36px\" target=\"_blank\" rel=\"noreferrer noopener\">Vezi interviurile<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>Antologia dispari\u021biei<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\" style=\"font-size:clamp(0.901rem, 0.901rem + ((1vw - 0.2rem) * 0.748), 1.35rem);\">dup\u0103 proz\u0103 feminin\u0103 contemporan\u0103 de \u0218tefania Mihalache, Anca Vieru, Lorina B\u0103lteanu, Ruxandra Burcescu, Lavinica Mitu, Simona Popescu<\/h4>\n\n\n\n<p>Regia: Radu Afrim<\/p>\n\n\n\n<p>Teatrul Na\u021bional \u201eVasile Alecsandri\u201d Ia\u0219i<\/p>\n\n\n\n<p class=\"has-base-color has-accent-2-background-color has-text-color has-background has-link-color has-medium-font-size wp-elements-d2d7299ab0e551cdc650b5c830bcec34\">Sensibilitate, umor, emo\u021bie, imagini spectaculoase, muzic\u0103 halucinant\u0103. \u0218i, nu \u00een ultimul r\u00e2nd, poezie. Acestea sunt ingredientele care ne fac s\u0103 iubim at\u00e2t de mult teatrul lui Radu Afrim. \u00cen func\u021bie de combina\u021bia \u0219i de propor\u021bia lor, spectacolul \u00eenclin\u0103 spre comic. Sau spre poetic. Sau spre grotesc. Sau spre dram\u0103.<\/p>\n\n\n\n<p>Toate elementele pe care le-am amintit se reg\u0103sesc \u0219i \u00een <em>Antologia dispari\u021biei<\/em> de la Teatrul Na\u021bional din Ia\u0219i, unul dintre cele mai emo\u021bionante spectacole ale lui Radu Afrim din ultima vreme. Un Afrim matur, departe de cel pus pe \u0219otii din alte spectacole, preocupat de triste\u021bea l\u0103sat\u0103 \u00een urm\u0103 de o&#8230; dispari\u021bie. De orice fel de dispari\u021bie: fie moarte, fie absen\u021ba tat\u0103lui, fie a copilului, fie&#8230;, depinde de scen\u0103, pentru c\u0103 spectacolul porne\u0219te de la nou\u0103 proze feminine distincte, ale unor scriitoare rom\u00e2ne de azi. Spuneam c\u0103 dozajul ingredientelor din brandul Afrim dau fie o turnur\u0103 comic\u0103, fie una sensibil\u0103. \u00cen fragmentul <em>Nunta \u2013 <\/em>una de la \u021bar\u0103 <em>\u2013<\/em>, prevaleaz\u0103 elementele comice. Regizorul nu se fere\u0219te de glumele f\u0103r\u0103 perdea din lumea de la sat: s\u0103rac\u0103, dar pus\u0103 pe \u0219otii. Cu un chef de distrac\u021bie de toat\u0103 cinstea! \u0218i nu numai! Fiindc\u0103, a\u0219a cum spune un personaj, \u201eNunt\u0103 f\u0103r\u0103 b\u0103taie, cine-a mai v\u0103zut?\u201d.<\/p>\n\n\n\n<div class=\"wp-block-group alignwide has-contrast-color has-accent-5-background-color has-text-color has-background has-link-color wp-elements-e8830d79fb971f254fe6dbb8ac347583 has-global-padding is-layout-constrained wp-container-core-group-is-layout-42023d5a wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:var(--wp--preset--spacing--30);padding-top:0;padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--10);padding-left:var(--wp--preset--spacing--20)\">\n<figure class=\"wp-block-embed alignfull is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7jfmnLZUWi0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=ro-RO&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-contrast-color has-text-color has-link-color wp-elements-0aa15b31a35288a90a28fb54c015cfe8\"><strong>Antologia dispari\u021biei<\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">dup\u0103 proz\u0103 feminin\u0103 contemporan\u0103 de \u0218tefania Mihalache, Anca Vieru, Lorina B\u0103lteanu, Ruxandra Burcescu, Lavinica Mitu, Simona Popescu<\/h5>\n\n\n\n<p>Teatrul Na\u021bional \u201eVasile Alecsandri\u201d Ia\u0219i<strong><\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Creatori<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Scenariu, regie, univers sonor, film\u0103ri: Radu Afrim<\/li>\n\n\n\n<li>Scenografie: Cosmin Florea<\/li>\n\n\n\n<li>Coregrafie: Alice Veliche<\/li>\n\n\n\n<li>Preg\u0103tire \u0219i aranjament muzical: Diana Roman<\/li>\n\n\n\n<li>Asistent de regie: Anamaria Rusu<\/li>\n\n\n\n<li>Video-proiec\u021bie, film\u0103ri, mapping: Mihai Nistor<\/li>\n\n\n\n<li>Light-design: Cristian Niculescu<\/li>\n\n\n\n<li>Fotografii din repeti\u021bii: Paul Adrian Chi\u0219<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Distribu\u021bia<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ada Lupu<\/li>\n\n\n\n<li>Pu\u0219a Darie<\/li>\n\n\n\n<li>Ionu\u021b Cornil\u0103<\/li>\n\n\n\n<li>Livia Iorga<\/li>\n\n\n\n<li>Diana Roman<\/li>\n\n\n\n<li>M\u0103lina Laz\u0103r<\/li>\n\n\n\n<li>Horia Verive\u0219<\/li>\n\n\n\n<li>Daniel Busuioc<\/li>\n\n\n\n<li>R\u0103zvan Con\u021bu<\/li>\n\n\n\n<li>Andrei Sava<\/li>\n\n\n\n<li>Cosmin Maxim<\/li>\n\n\n\n<li>Dumitru N\u0103stru\u0219nicu<\/li>\n\n\n\n<li>Georgeta Burdujan<\/li>\n\n\n\n<li>Diana Vieru<\/li>\n\n\n\n<li>Octavian P\u0103un<\/li>\n\n\n\n<li>Luca Gumeni<\/li>\n\n\n\n<li>Anamaria Rusu<\/li>\n\n\n\n<li>Andreea Stratul\u0103<\/li>\n\n\n\n<li>Marian Stavarachi <\/li>\n\n\n\n<li>Ioana Aciob\u0103ni\u021bei<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vivamus aliquam at nibh id vehicula. Mauris at volutpat felis. Donec tincidunt ullamcorper nunc, eget volutpat augue tincidunt viverra.<\/p>\n","protected":false},"author":1,"featured_media":292,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviuri"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/10\/Antologia-disparitiei-frame-at-14m32s.webp?fit=1920%2C1080&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/comments?post=287"}],"version-history":[{"count":5,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/287\/revisions"}],"predecessor-version":[{"id":295,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/287\/revisions\/295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/media\/292"}],"wp:attachment":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/media?parent=287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/categories?post=287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/tags?post=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}