{"id":401,"date":"2024-11-04T21:35:22","date_gmt":"2024-11-04T19:35:22","guid":{"rendered":"https:\/\/b-critic.ro\/efectedescena\/?p=401"},"modified":"2024-11-04T21:35:56","modified_gmt":"2024-11-04T19:35:56","slug":"la-ronde-spectacol-de-la-teatrul-andrei-muresanu","status":"publish","type":"post","link":"https:\/\/b-critic.ro\/efectedescena\/11\/la-ronde-spectacol-de-la-teatrul-andrei-muresanu\/","title":{"rendered":"La Ronde &#8211; spectacol de la Teatrul \u201eAndrei Mure\u0219anu\u201d"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull has-custom-content-position is-position-bottom-left has-aspect-ratio wp-duotone-unset-1\" style=\"margin-top:0;padding-top:5vw;padding-right:5vw;padding-bottom:5vw;padding-left:5vw;min-height:100vh;aspect-ratio:auto;min-height:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-30 has-background-dim has-background-gradient\" style=\"background:linear-gradient(180deg,rgba(153,153,153,0) 0%,rgb(3,3,15) 100%)\"><\/span><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?resize=1920%2C1080&#038;ssl=1\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"La Ronde\" data-object-fit=\"cover\" srcset=\"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?resize=1536%2C864&amp;ssl=1 1536w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flex wp-container-core-group-is-layout-e4aad5c3 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group wp-container-content-9cfa9a5a is-layout-flow wp-container-core-group-is-layout-d6743c7d wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-left has-accent-2-color has-text-color\" style=\"font-size:clamp(46.987px, 2.937rem + ((1vw - 3.2px) * 4.689), 92px);font-style:normal;font-weight:700;letter-spacing:-4px;line-height:1;text-transform:none\"><strong>La Ronde<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left has-white-color has-text-color\" style=\"font-size:clamp(28.836px, 1.802rem + ((1vw - 3.2px) * 2.205), 50px);font-style:normal;font-weight:700;letter-spacing:-4px;line-height:1;text-transform:none\">de Yann Verburgh<\/p>\n\n\n\n<div style=\"height:410px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group wp-container-content-5b91cf2b is-vertical is-nowrap is-layout-flex wp-container-core-group-is-layout-82cc2081 wp-block-group-is-layout-flex\">\n<p class=\"has-base-color has-accent-background-color has-text-color has-background has-link-color wp-elements-e24198e42a86170d90a811874ad51daa\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.313), 17px);font-style:normal;font-weight:500;letter-spacing:0px;line-height:1.4;text-decoration:none;text-transform:none\"><strong>INTERVIURI CU<\/strong><br><strong>Nicholas Ca\u021bianis<\/strong>, Fatma Mohamed, Camelia Paraschiv<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.625), 20px);font-style:normal;font-weight:700;letter-spacing:0px;text-decoration:none;text-transform:none\"><a class=\"wp-block-button__link has-white-color has-black-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/youtu.be\/Vjj7ZapPAXU\" style=\"border-radius:0px;border-top-style:none;border-top-width:0px;border-right-style:none;border-right-width:0px;border-bottom-style:none;border-bottom-width:0px;border-left-style:none;border-left-width:0px;padding-top:24px;padding-right:36px;padding-bottom:24px;padding-left:36px\" target=\"_blank\" rel=\"noreferrer noopener\">Vezi video<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La Ronde<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>de Yann Verburgh<\/li>\n\n\n\n<li>Regia Eugen Jebeleanu<\/li>\n\n\n\n<li>Teatrul \u201eAndrei Mure\u0219anu\u201d Sf\u00e2ntu Gheorghe<\/li>\n<\/ul>\n\n\n\n<p class=\"has-base-color has-accent-2-background-color has-text-color has-background has-link-color has-medium-font-size wp-elements-0beb9db0a2af8aa7e1186f8d69dff1cb\">Ar fi p\u0103cat s\u0103 deslu\u0219esc sensurile din <em>La Ronde<\/em>, montarea lui Eugen Jebeleanu, de la Teatrul \u201eAndrei Mure\u0219anu\u201d din Sf. Gheorghe. Este genul de spectacol pe care, dac\u0103 \u00eencepi s\u0103-l analizezi, \u00eel storci de vraj\u0103 \u0219i seduc\u021bie. Mai bine \u00eel vede\u021bi. Senza\u021bia pe care o las\u0103 este de noutate absolut\u0103.<\/p>\n\n\n\n<p>Dramaturgul Yann Verburgh pleac\u0103 de la o serie de zece dialoguri scrise de Arthur Schnitzler. Personajele discut\u0103 \u00eenainte \u0219i dup\u0103 consumarea actului sexual. Universul lor era cel din Austria sf\u00e2r\u0219itului de secol al XIX-lea. \u00cen secolul XXI, dramaturgul Yann Verburgh rescrie pove\u0219tile explor\u00e2nd diversitatea identit\u0103\u021bilor \u0219i a practicilor sexuale de azi. \u0218i, slav\u0103 domnului, material exist\u0103! Spectacolul ofer\u0103 un adev\u0103rat catalog al erotismului. Scenele apar \u00een fa\u021ba publicului ca \u00eentr-un carusel. Cupluri de toate orient\u0103rile sexuale \u00ee\u0219i dezbat problemele. \u0218i, de\u0219i aparen\u021ba este de cabaret, montarea juxtapune erotismul cu discursul politic. Nu de pu\u021bine ori spectacolul politizeaz\u0103 sexul analiz\u00e2ndu-l din perspectiva diferitelor ideologii. Iubitorii de sex pur \u0219i simplu ar putea considera asta o lips\u0103 de fair play. Unul dintre personaje opteaz\u0103 pentru asexualitate pentru c\u0103 resimte rela\u021biile ca pe o constr\u00e2ngere dictat\u0103 de societate. Un altul, resping\u00e2nd \u201econceptul burghez bazat pe proprietate\u201d, afirm\u0103 c\u0103 \u201eAlegerile amoroase ale unei femei sunt politice\u201d. Dup\u0103 cum vede\u021bi, amatorii de dezbateri au cu ce s\u0103-\u0219i bat\u0103 capul. Iar iubitorii de frumos se pot l\u0103sa doar \u00een voia provoc\u0103rii. Pur \u0219i simplu, du\u0219i de val. C\u0103ci ce te poate \u021bine mai captiv senzorial-emo\u021bional dec\u00e2t frumuse\u021bea corpurilor \u0219i splendorile erotismului? C\u00e2nd nici umorul nu lipse\u0219te.<em><\/em><\/p>\n\n\n\n<p>O femeie politician apeleaz\u0103 la Maica Tereza a sexului. \u00cei aduce un text prin care se autopedepse\u0219te. Un tip de confesiune masochist\u0103 prin care sper\u0103 s\u0103-\u0219i exorcizeze demonii \u0219i s\u0103 se cure\u021be primind umilin\u021bele chiar pe cruce. Are curaj politiciana! \u0218i regizorul! <\/p>\n\n\n\n<p>\u201e\u00cen politic\u0103 po\u021bi fi orice, dar nu tu \u00eensu\u021bi\u201d. \u201eE\u0219ti for\u021bat s\u0103-\u021bi pierzi speran\u021ba c\u0103 \u00eentr-o zi lumea se va schimba\u201d \u2013 sun\u0103 afirma\u021biile personajului. Luciditatea nu o p\u0103r\u0103se\u0219te pe femeia politician nici atunci c\u00e2nd alege s\u0103-\u0219i pun\u0103 cap\u0103t zilelor \u00eenainte ca boala s\u0103 o devoreze.<\/p>\n\n\n\n<div style=\"height:77px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignwide has-contrast-color has-accent-5-background-color has-text-color has-background has-link-color wp-elements-81c52dfc8b6303e32b75402de5aa99fe has-global-padding is-layout-constrained wp-container-core-group-is-layout-42023d5a wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:var(--wp--preset--spacing--30);padding-top:0;padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--10);padding-left:var(--wp--preset--spacing--20)\">\n<figure class=\"wp-block-embed alignfull is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Vjj7ZapPAXU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=ro-RO&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-contrast-color has-text-color has-link-color wp-elements-0dc4f02cb82c3bb92c756a05f14f9f69\"><strong>La Ronde<\/strong><\/h3>\n\n\n\n<p>de Yann Verburgh<br>Teatrul \u201eAndrei Mure\u0219anu\u201d Sf\u00e2ntu Gheorghe<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Regia Eugen Jebeleanu Dramaturgia &amp; colaborator artistic: Yann Verburgh<\/li>\n\n\n\n<li>Scenografia: Cosmin Florea<\/li>\n\n\n\n<li>Sound design: Eugen Jebeleanu &amp; R\u00e9mi Billardon<\/li>\n\n\n\n<li>Produc\u021bie audio: Marius Popa<\/li>\n\n\n\n<li>Lumini: Bak\u00f3 Zolt\u00e1n<\/li>\n\n\n\n<li>Sunet: Magyar Csaba, Somogyi Ede L\u00e1szl\u00f3<\/li>\n\n\n\n<li>Regia tehnic\u0103: Lidia Baciu, Ioana Popescu<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Distribu\u021bie<\/h4>\n\n\n\n<p>Costi Apostol, Nicholas Ca\u021bianis, Ioana Alexandrina Costea, Oana Jipa, Sebastian Marina, Fatma Mohamed, Camelia Paraschiv K\u00e1tai, Anca Pitaru, Daniel Rizea, M\u0103d\u0103lina Mu\u015fat, Iulian Tr\u0103istaru<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vivamus aliquam at nibh id vehicula. Mauris at volutpat felis. Donec tincidunt ullamcorper nunc, eget volutpat augue tincidunt viverra.<\/p>\n","protected":false},"author":1,"featured_media":402,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviuri"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/b-critic.ro\/efectedescena\/wp-content\/uploads\/2024\/11\/La-Ronde-frame-at-4m24s.webp?fit=1920%2C1080&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":5,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/401\/revisions"}],"predecessor-version":[{"id":407,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/posts\/401\/revisions\/407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/media\/402"}],"wp:attachment":[{"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/media?parent=401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/categories?post=401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/b-critic.ro\/efectedescena\/wp-json\/wp\/v2\/tags?post=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}